The eBOIARDO website features theatrical, musical, and artistic representations based on Boiardo’s Orlando Innamorato, Ariosto’s Orlando Furioso, and other Italian Renaissance romance epics. The site contains numerous videos of chivalric adaptations staged in Sicilian opera dei pupi and the epic Maggio tradition of the Tuscan-Emilian Apennines.
Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618), with Scholarly Commentary, edited by Tara Nummedal and Donna Bilak
Re-rendering the German alchemist Michael Maier’s intriguing and complex musical alchemical emblem book, Atalanta fugiens (1618), as an enhanced, open-access, online publication, Furnace and Fugue allows contemporary readers to hear, see, manipulate, and investigate Atalanta fugiens in ways that Maier perhaps imagined but that were impossible to fully realize before now. An interactive, layered digital edition provides accessibility and flexibility, presenting all the elements of the original book along with significant enhancements that allow for deep engagement by specialists and nonspecialists alike, while scholarly essays explore Atalanta fugiens and its place in the history of music, science, print, and visual culture in early modern Europe.
This collection of essays emerged from the research projects that 24 NEH Scholars developed during the NEH Summer Institute “Leonardo da Vinci: Between Art and Science” (Florence, Italy, June–July 2012), hosted by the Kunsthistorisches Institut in Florenz (KHI). Over a period of three weeks, NEH Scholars explored the relations between art and science in the works of Leonardo da Vinci (1452–1519), the versatile, canonical artist of western art who moved with equal ease among artistic, literary, intellectual and scientific circles. The Institute was organized around three major themes: Word and Image, Painting and Drawing, and Craftsmen and Scholars.
This interdisciplinary resource centers around a mass by Jacob Obrecht, commissioned in 1488. One may explore the score and hear a recorded performance by a choir in a chapel in Bruges. The triptych portraying the husband and wife patrons of the work may also be examined.
The Marenzio Online Digital Edition (MODE) is a critical edition of the secular music of Luca Marenzio (ca. 1553-1599), one of the most influential composers of the European Renaissance.
This website provides teaching and learning resources for the study of medieval and early modern world history at the elementary and secondary levels. Hosted by the University of Toronto Library and freely available to all, it features a series of videos in which players of the oud, lute, and sarod perform music and discuss the histories of their instruments; an interactive GIS mapping tool; teaching materials for a range of courses and levels; and links to additional resources.
Digital editions and analysis of an important corpus of 16th-century works founded on contrapuntal borrowing.
A brand new digital edition of the music settings of Torquato Tasso’s poetry, c. 1570–1640.
A digital research project dedicated to a repertory of polyphonic songs from mid-sixteenth-century France, featuring facsimiles of printed books of music, a chanson database, and a music reconstruction project.
The fruits of an active research network on soundscapes in the early modern era, featuring a blog, bibliography, and list of relevant websites, as well as information on past and future workshops and conferences.