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Art of Disagreeing Badly: Religious Dispute in Early Modern Europe

Art of Disagreeing Badly: Religious Dispute in Early Modern Europe

The exhibition “The Art of Disagreeing Badly: Religious Dispute in Early Modern Europe” is now permanently available on an interactive website. The sixteenth and seventeenth centuries were an age of confessional polemic. After the beginning of the Reformation in 1517, church history presented a challenge to each confession in its own right. Protestants aimed to explain, through examples from history, why error had come into the Church after apostolic times and after centuries of decadence the Reformation had become necessary. Catholics argued, on the other hand, that the Church had always remained the same. Protestants also doubted specific key events in church history. They asserted, for example, that St. Peter had never been in Rome, so that the Petrine tradition, on which the papacy based its own primacy, was invalid. Catholics, of course, never doubted Peter’s stay in Rome. Many other such polemical arguments were thrown back and forth, making church history a hot battleground of the confessional struggle. A large number of the books exhibited are from the collection of Tobie Matthew, Archbishop of York (1546–1628).

Digital Cicognara Library

Digital Cicognara Library

Contains the full text of Conte Leopoldo Cicognara’s Catalogo ragionato dei libri d’arte e d’antichità, published in 1821, integrated with digital images of the full text of every title in the Cicognara Library. Includes both black-and-white facsimiles of the original volumes in the Vatican Library (digitized from microform masters), and one or more high-resolution, color digital facsimiles of unique copies from project partner libraries, along with thorough bibliographic information.

Arkyves: A Databse of Early Modern Imagery

Arkyves: A Databse of Early Modern Imagery

Arkyves is a website that offers a single access point to a variety of scholarly databases of early modern sources, such as emblems, printer’s devices, fables, adages, mythography, and typography. Its focus is on subject indexing. Subject queries can be done in English, French, Italian and German. By subscription.

The Anglo-American Legal Tradition

The Anglo-American Legal Tradition

Images of legal documents from medieval and early modern England from the National Archives in London digitized and displayed through the O’Quinn Law Library of the University of Houston Law Center by license of the National Archives sponsored by the University of Houston Law Center and Department of History. Useful to anyone working on English history, literature, law, or culture.

A London Provisioner’s Chronicle, 1550-1563, by Henry Machan

A London Provisioner’s Chronicle, 1550-1563, by Henry Machan

An electronic scholarly edition created by Richard W. Bailey, Marilyn Miller, and Colette Moore. The edition gives a complete inventory of material required by scholars and readers: images of the manuscript, a faithful transcript of those images, and a rendering in modern English of this fascinating document.

Cooking in the Archives: Updating Early Modern Recipes (1600-1800) in a Modern Kitchen

Cooking in the Archives: Updating Early Modern Recipes (1600-1800) in a Modern Kitchen

This public food history project aims to find, cook, and discuss recipes from cookbooks produced between 1600 and 1800. Each month a new recipe is added along with historical contextualization, a photograph of the original recipe, a transcription, a modernization, and a discussion of the cooking process and results. The project also includes resources for teaching with early modern recipes.

History of the Accademia di San Luca, c. 1590-1635: Documents from the Archivio di Stato di Roma

History of the Accademia di San Luca, c. 1590-1635: Documents from the Archivio di Stato di Roma

A project of the Center for Advanced Study of the Visual Arts at the National Gallery of Art, Washington, DC, the searchable database includes a complete transcription of every extant notarial record of the period from the Archivio di Stato di Roma identified by the project team, as well as a digital images of the original documents. The site also features artist bibliographies and a database of images associated with the early history of the Accademia di San Luca and its members during the sixteenth and seventeenth centuries.