Tag: Sound Studies

The Virtual St Paul’s Cathedral Project

Virtual St Pauls Cathedral Project Homepage
https://vpcathedral.chass.ncsu.edu/

The Virtual St Paul’s Cathedral Project recreates two full days in St Paul’s Cathedral — an ordinary (or ferial) day, the Tuesday after the First Sunday in Advent in 1625 and a Festival Day, Easter Sunday in 1624. These services reflect, in the choice of music and in other ways, differences in style of performance reflecting the difference between a festival, or special occasion and an ordinary, everyday occasion.

The Virtual St Paul’s Cathedral Project contains resources for understanding worship in English cathedrals and parish churches in the early seventeenth century. Chief among them are auralized recordings of the services appointed for use every day of the year — the Divine Services of Morning Prayer (Matins) and Evening Prayer (Evensong) — as well as services appointed for a narrower range of days — (the Great Litany, appointed for Wednesdays, Fridays, and Sundays and Holy Communion, appointed for Sundays and Holy Days).

The Virtual Paul’s Cross Project

Virtual Paul's Cross Project Homepage
https://vpcross.chass.ncsu.edu/

The Virtual Paul’s Cross Project uses digital modeling technology to create the experience of hearing John Donne’s sermon for Gunpowder Day, November 5th, 1622, from within a detailed visual and acoustic model of Paul’s Churchyard. The user can hear Donne’s sermon unfold in real time from 8 different positions in the Churchyard and in the presence of 4 different sizes of crowd, all the while immersed in the sounds of early modern London.

The Virtual Paul’s Cross Project enables us to experience Donne’s sermon as a performed event that unfolds in real time as a complement to our ability to study it as a printed text or theological essay.

Digital Dante

Digital Dante

Digital Dante offers original research and ideas on Dante: on his thought and work and on various aspects of his reception. Though our editorial structure is that of an academic journal, we do not publish prose essays, instead showcasing work that intersperses prose with visual components (see Author Guidelines). We accept contributions from scholars and Dante lovers around the world.

We feature original scholarship on Dante in three different contexts:

1) The Commento Baroliniano is the first online commentary to the Divine Comedy. The Commento is an original work written expressly for Digital Dante and it distills a lifetime of scholarship.

2) Intertextual Dante is a vehicle for intertextual study of the Divine Comedy developed by Julie Van Peteghem and featuring her original scholarship on Dante and Ovid.

3) Image, Sound, History and Text are the categories through which we present original pieces contributed by artists, philosophers, and scholars from around the world.